CHARU NIVEDITA ZERO DEGREE EPUB DOWNLOAD - Editorial Reviews. About the Author. Charu Nivedita grew up in rural Tamil Nadu and spent twelve years.

The author by telling the story reaches the zero Degree state where thought are frozen,and sure will make the readers too. I like the the story Narrative, the narration in Charu Novels always will be related to the theme of the Novel. Losing identity and reaching the zero degree state and so the Narration is confusion of “I”. He also have not mentioned “I” in this novel and all Numbers are either 9 or the sum of the numbers are is Nine. Even we don’t understand the Novel completely we will get the exact feel in which the Novel was written. That is the Magic of his Words. If you’ve read my post, it should be obvious I’m not naive, so much as completely ignorant of the Tamil literary scene.

Charu is the first translated modern Tamil writer I’ve read, and I accept that I know practically none of the rest. I also mention that I cannot read Tamil, so I cannot read what you have linked me to. In any case, this is a blog discussing writing, not the possibly criminal behaviour of writers. There are other avenues to deal with your problems with Charu Nivedita, and I suggest you use them.

For those like me with not much exposure to literature in other Indian languages than Tamil, it is good to hear that contemporary Tamil literature is on par with others. Some Tamil writers also make the same claim, but we have no independent verification of it. Charu Niveditha is definitely among the significant writers in Tamil at present. But, there are Tamil writers better than him. They need to take efforts like Charu Niveditha to promote themselves better and get their works translated into English. Zero Degree is by far Charu’s best novel. His first work “Existencialismum Fancy Baniyanum” is also of the same genre, but he reached his peak in the second novel which came out after a long gap (20 or 25 years, I believe).

There was a controversy that Zero Degree had the contributions of a few other writers. ‘Rasa Leela’ in a way is a response to the controversy and Charu Niveditha put a rest to the speculations that someone else was writing his works.

However, ‘Rasa Leela’ is just a rework of Zero Degree following the same style but losing some of the soul in the process. Some of the parts were even reheated parts of his earlier work (for example, Tamil does not have letters that sound like B or F. So, Beef Briyani written in Tamil will also sound like Shit Briyani. Charu uses this in his “Existencialismum Fancy Baniyanum” and “Rasa Leela”).

A large part of Rasa Leela seems to have the intent of filling up pages, and Charu himself makes an intertextual reference to it and mocks himself. Also, the autofiction part of Zero Degree started dominating over other parts in Rasa Leela.

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His subsequent Kamarooba Kathaigal is just a ditto. I am yet to read his “Theham” or “Exile” but commentaries that I have read indicate that Charu has not moved away from the basic plot. Finally, your depiction of Jayamohan as a post-modernist writer does not seem right. If you must box him in the Western classification, he probably straddles between realism and modernism, and occasionally ventures into magical realism. Jayamohan is a prolific writer of great talent, but he is not as loyal to his plot or style as Charu Niveditha is. Thanks for your comment, Suresh.

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I am hopeful English translations of his other novels will turn up. I did some research mainly on the Internet on Jeyamohan and it seemed from various blogs and reviews that he sits somewhere in the divide between modernism and postmodernism, but the magical realism made me club him under the postmodernists. But I wasn’t sure. Thanks for clarifying that, though unfortunately, neither ‘Vishnupuram’ nor ‘Rubber’ has been translated into English yet and I may not be able to make up my mind until then, which is a pity. I am a big fan of Jeyamohan.

Vishnupuram is supposed to be his Magnus Opus, which I haven’t read yet. Apparently, it is a treatise on various spiritual philosophies which existed in (South?) India, through a fiction. But `Kaadu’ (Tami for Forest) is the Novel from which anyone should start reading him – it’s a beautiful book.

Please don’t label Je with a simple `Post-modernistic’ – it is actually belittling a great writer classifying him into simple cliched epithets. He is much more than that.

For example, he has written tonnes on Gandhi and Bhagvad Gita! He is definitely different from Charu Nivedita, whose main method of being post-modernistic is to shout all the time from all available roof-tops that he is indeed one! And to belittle anything and everything in Tamil and Tamilnadu. By writing “Charu” has sex with a father and daughter and the daughter character even pisses on “Charu”, rape will be eliminated?